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1 Victoria and Albert
Abbreviation: (Order of) VAУниверсальный русско-английский словарь > Victoria and Albert
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2 Victoria and Albert Museum
1) General subject: V and A (национальный музей изящных и прикладных искусств всех стран и эпох; Великобритания)2) Abbreviation: V & A3) Museums: VAMУниверсальный русско-английский словарь > Victoria and Albert Museum
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3 Victoria and Albert Order (British)
Abbreviation: VAУниверсальный русско-английский словарь > Victoria and Albert Order (British)
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4 Victoria and Albert Order
Abbreviation: (British) VAУниверсальный русско-английский словарь > Victoria and Albert Order
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5 (Order of) Victoria and Albert
Abbreviation: VAУниверсальный русско-английский словарь > (Order of) Victoria and Albert
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6 Albert, Prince Consort
[br]b. 26 August 1819 The Rosenau, near Coburg, Germanyd. 14 December 1861 Windsor Castle, England[br]German/British polymath and Prince Consort to Queen Victoria.[br]Albert received a sound education in the arts and sciences, carefully designed to fit him for a role as consort to the future Queen Victoria. After their marriage in 1840, Albert threw himself into the task of establishing his position as, eventually, Prince Consort and uncrowned king of England. By his undoubted intellectual gifts, unrelenting hard work and moral rectitude, Albert moulded the British constitutional monarchy into the form it retains to this day. The purchase in 1845 of the Osborne estate in the Isle of Wight provided not only the growing royal family with a comfortable retreat from London and public life, but Albert with full scope for his abilities as architect and planner. With Thomas Cubitt, the eminent engineer and contractor, Albert erected at Osborne one of the most remarkable buildings of the nineteenth century. He went on to design the house and estate at Balmoral in Scotland, another notable creation.Albert applied his abilities as architect and planner in the promotion of such public works as the London sewer system and, in practical form, the design of cottages for workers, such as those in south London, as well as those on the royal estates. Albert's other main contribution to technology was as educationist in a broad sense. In 1847, he was elected Chancellor of Cambridge University. He was appalled at the low standards and narrow curriculum prevailing there and at Oxford. He was no mere figurehead, but took a close and active interest in the University's affairs. With his powerful influence behind them, the reforming fellows were able to force measures to raise standards and widen the curriculum to take account, in particular, of the rapid progress in the natural sciences. Albert was instrumental in ending the lethargy of centuries and laying the foundations of the modern British university system.In 1847 the Prince became Secretary of the Royal Society of Arts. With Henry Cole, the noted administrator who shared Albert's concern for the arts, he promoted a series of exhibitions under the auspices of the Society. From these grew the idea of a great exhibition of the products of the decorative and industrial arts. It was Albert who decided that its scope should be international. As Chairman of the organizing committee, by sheer hard work he drove the project through to a triumphant conclusion. The success of the Exhibition earned it a handsome profit for which Albert had found a use even before it closed. The proceeds went towards the purchase of a site in South Kensington, for which he drew up a grand scheme for a complex of museums and colleges for the education of the people in the sciences and the arts. This largely came to fruition and South Kensington today is a fitting memorial to the Prince Consort's wisdom and concern for the public good.[br]Further ReadingSir Theodore Martin, 1875–80, The Life of His Royal Highness, the Prince Consort, 5 vols, London; German edn 1876; French edn 1883 (the classic life of the Prince).R.R.James, 1983, Albert, Prince Consort: A Biography, London: Hamish Hamilton (the standard modern biography).L.R.Day, 1989, "Resources for the study of the history of technology in the Science Museum Library", IATUL Quarterly 3:122–39 (provides a short account of the rise of South Kensington and its institutions).LRD -
7 cofre
m.1 chest, trunk (arca).2 jewel box.3 coffer, box, ark, trunk.4 sea chest.5 hood, car's hood, bonnet.* * ** * *SM (=caja) chest; [para joyas] casket, jewellery o (EEUU) jewelry box, jewel case; Méx (Aut) bonnet, hood (EEUU)* * *1)a) ( joyero) jewel case, jewelry* boxb) ( baúl - para ropa) trunk; (- para dinero, joyas) chest2) (Méx) ( capó) hood (AmE), bonnet (BrE)* * *= coffin, coffer, treasure chest, casket.Ex. Next morning the heap, now damp right through, was set up on one end of the horse (later called the bank), a bench long enough to take two piles of paper end to end, and about as high as the coffin of the press.Ex. The organizers announced that the high conference attendance in Glasgow will bring 160,000 Euros into the IFLA coffers -- news to warm the cockles of a parsimonious treasurer's heart.Ex. For grades 3-4, children estimate the value of treasure chests filled with gold coins and explore the size and weight of gold bars.Ex. For 25 years, this exquisitely enamelled medieval casket had been on loan to the Victoria and Albert Museum in London.* * *1)a) ( joyero) jewel case, jewelry* boxb) ( baúl - para ropa) trunk; (- para dinero, joyas) chest2) (Méx) ( capó) hood (AmE), bonnet (BrE)* * *= coffin, coffer, treasure chest, casket.Ex: Next morning the heap, now damp right through, was set up on one end of the horse (later called the bank), a bench long enough to take two piles of paper end to end, and about as high as the coffin of the press.
Ex: The organizers announced that the high conference attendance in Glasgow will bring 160,000 Euros into the IFLA coffers -- news to warm the cockles of a parsimonious treasurer's heart.Ex: For grades 3-4, children estimate the value of treasure chests filled with gold coins and explore the size and weight of gold bars.Ex: For 25 years, this exquisitely enamelled medieval casket had been on loan to the Victoria and Albert Museum in London.* * *A1 (joyero) jewel case, jewelry* box2 (baúl — para ropa) trunk; (— para dinero, joyas) chestCompuesto:treasure chest* * *
cofre sustantivo masculino
cofre sustantivo masculino (arca) trunk, chest
' cofre' also found in these entries:
Spanish:
desenterrar
- herrar
- arca
English:
casket
- chest
- salvage
* * *cofre nm1. [arca] chest, trunk;cofre del tesoro treasure chest2. [para joyas] jewel box* * *m1 de tesoro chestjewellery box* * *cofre nm1) baúl: trunk, chest* * * -
8 Музей Виктории и Альберта
General subject: Victoria and Albert Museum (национальный музей изящных и прикладных искусств всех стран и эпох; Великобритания)Универсальный русско-английский словарь > Музей Виктории и Альберта
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9 Lodge, Sir Oliver Joseph
[br]b. 12 June 1851 Penkhull, Staffordshire, Englandd. 22 August 1940 Lake, near Salisbury, Wiltshire, England[br]English physicist who perfected Branly's coherer; said to have given the first public demonstration of wireless telegraphy.[br]At the age of 8 Lodge entered Newport Grammar School, and in 1863–5 received private education at Coombs in Suffolk. He then returned to Staffordshire, where he assisted his father in the potteries by working as a book-keeper. Whilst staying with an aunt in London in 1866–7, he attended scientific lectures and became interested in physics. As a result of this and of reading copies of English Mechanic magazine, when he was back home in Hanley he began to do experiments and attended the Wedgewood Institute. Returning to London c. 1870, he studied initially at the Royal College of Science and then, from 1874, at University College, London (UCL), at the same time attending lectures at the Royal Institution.In 1875 he obtained his BSc, read a paper to the British Association on "Nodes and loops in chemical formulae" and became a physics demonstrator at UCL. The following year he was appointed a physics lecturer at Bedford College, completing his DSc in 1877. Three years later he became Assistant Professor of Mathematics at UCL, but in 1881, after only two years, he accepted the Chair of Experimental Physics at the new University College of Liverpool. There began a period of fruitful studies of electricity and radio transmission and reception, including development of the lightning conductor, discovery of the "coherent" effect of sparks and improvement of Branly's coherer, and, in 1894, what is said to be the first public demonstration of the transmission and reception (using a coherer) of wireless telegraphy, from Lewis's department store to the clock tower of Liverpool University's Victoria Building. On 10 May 1897 he filed a patent for selective tuning by self-in-ductance; this was before Marconi's first patent was actually published and its priority was subsequently upheld.In 1900 he became the first Principal of the new University of Birmingham, where he remained until his retirement in 1919. In his later years he was increasingly interested in psychical research.[br]Principal Honours and DistinctionsKnighted 1902. FRS 1887. Royal Society Council Member 1893. President, Society for Psychical Research 1901–4, 1932. President, British Association 1913. Royal Society Rumford Medal 1898. Royal Society of Arts Albert Medal 1919. Institution of Electrical Engineers Faraday Medal 1932. Fourteen honorary degrees from British and other universities.Bibliography1875, "The flow of electricity in a plane", Philosophical Magazine (May, June and December).1876, "Thermo-electric phenomena", Philosophical Magazine (December). 1888, "Lightning conductors", Philosophical Magazine (August).1889, Modern Views of Electricity (lectures at the Royal Institution).10 May 1897, "Improvements in syntonized telegraphy without line wires", British patent no. 11,575, US patent no. 609,154.1898, "Radio waves", Philosophical Magazine (August): 227.1931, Past Years, An Autobiography, London: Hodder \& Stoughton.Further ReadingW.P.Jolly, 1974, Sir Oliver Lodge, Psychical Resear cher and Scientist, London: Constable.E.Hawks, 1927, Pioneers of Wireless, London: Methuen.See also: Hertz, Heinrich RudolphKFBiographical history of technology > Lodge, Sir Oliver Joseph
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10 Paxton, Sir Joseph
[br]b. 3 August 1801 Milton Bryant, Bedfordshire, Englandd. 8 June 1865 Sydenham, London, England[br]English designer of the Crystal Palace, the first large-scale prefabricated ferrovitreous structure.[br]The son of a farmer, he had worked in gardens since boyhood and at the age of 21 was employed as Undergardener at the Horticultural Society Gardens in Chiswick, from where he went on to become Head Gardener for the Duke of Devonshire at Chatsworth. It was there that he developed his methods of glasshouse construction, culminating in the Great Conservatory of 1836–40, an immense structure some 277 ft (84.4 m) long, 123 ft (37.5 m) wide and 67 ft (20.4 m) high. Its framework was of iron and its roof of glass, with wood to contain the glass panels; it is now demolished. Paxton went on to landscape garden design, fountain and waterway engineering, the laying out of the model village of Edensor, and to play a part in railway and country house projects.The structure that made Paxton a household name was erected in Hyde Park, London, to house the Great Exhibition of 1851 and was aptly dubbed, by Punch, the Crystal Palace. The idea of holding an international exhibition for industry had been mooted in 1849 and was backed by Prince Albert and Henry Cole. The money for this was to be raised by public subscription and 245 designs were entered into a competition held in 1850; however, most of the concepts, received from many notable architects and engineers, were very costly and unsuitable, and none were accepted. That same year, Paxton published his scheme in the Illustrated London News and it was approved after it received over-whelming public support.Paxton's Crystal Palace, designed and erected in association with the engineers Fox and Henderson, was a prefabricated glasshouse of vast dimensions: it was 1,848 ft (563.3 m) long, 408 ft (124.4 m) wide and over 100 ft (30.5 m) high. It contained 3,300 iron columns, 2,150 girders. 24 miles (39 km) of guttering, 600,000 ft3 (17,000 m3) of timber and 900,000 ft2 (84,000 m) of sheet glass made by Chance Bros, of Birmingham. One of the chief reasons why it was accepted by the Royal Commission Committee was that it fulfilled the competition proviso that it should be capable of being erected quickly and subsequently dismantled and re-erected elsewhere. The Crystal Palace was to be erected at a cost of £79,800, much less than the other designs. Building began on 30 July 1850, with a labour force of some 2,000, and was completed on 31 March 1851. It was a landmark in construction at the time, for its size, speed of construction and its non-eclectic design, and, most of all, as the first great prefabricated building: parts were standardized and made in quantity, and were assembled on site. The exhibition was opened by Queen Victoria on 1 May 1851 and had received six million visitors when it closed on 11 October. The building was dismantled in 1852 and reassembled, with variations in design, at Sydenham in south London, where it remained until its spectacular conflagration in 1936.[br]Principal Honours and DistinctionsKnighted 1851. MP for Coventry 1854–65. Fellow Linnaean Society 1853; Horticultural Society 1826. Order of St Vladimir, Russia, 1844.Further ReadingP.Beaver, 1986, The Crystal Palace: A Portrait of Victorian Enterprise, Phillimore. George F.Chadwick, 1961, Works of Sir Joseph Paxton 1803–1865, Architectural Press.DY -
11 Coburg
A twill cloth made from cotton and silk, worsted and silk, or all worsted. Used as a dress fabric, varying in width and quality. One quality is made 64/128 per inch. 50's T., 72's W., botany yarns. Actually the cloth is a cashmere. It was introduced shortly after Queen Victoria's marriage to Prince Albert of Saxe-Coburg. The Coburg today is an all-worsted fabric (see Paramatta)
См. также в других словарях:
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Victoria and Albert Museum — Saltar a navegación, búsqueda Entrada principal del Museo Victoria y Alberto, en Londres. El Museo de Victoria y Alberto (a menudo abreviado como V A), Museo Nacional de Arte y Diseño (en inglés, The Victoria and Albert Museum, National Museum of … Wikipedia Español
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Victoria and Albert Museum — Victoria and Al|bert Mu|se|um the Victoria and Albert Museum also the V & A a ↑museum in central London that has valuable ↑decorative objects of all styles and periods and from all over the world, such as paintings, glass, clothes, and jewellery … Dictionary of contemporary English
Victoria and Albert Museum — [vɪk tɔːrɪə ənd ɔːlbət mjuː zɪəm], Kunstgewerbemuseum in London, aus dem nach der Weltausstellung (1851) gegründeten »Museum of Manufacturers« hervorgegangen; noch 1851 in »Museum of Ornamental Art«, 1852 in »South Kensington Museum« umbenannt … Universal-Lexikon
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